Transcription
© transcript Emily Beynon © transcript Emily Beynon © transcript Emily Beynon © transcript Emily Beynon
© transcript Emily Beynon © transcript Emily Beynon © transcript Emily Beynon © transcript Emily Beynon
Okay, about my autotune, this is for another topic, nextly, I just want to know the correct text of this song, of this version which I would like to sing there in the first post, because you know, it was very bad. Yep, and I have some recordings without autotune, although I just say to you also in music thread that due to this, that on my keyboard there is, how to say, vocal harmony effect and some of those effects use, of course, autotune, but this is for another topic. But thank you, Nikola, for my... Thank you, Nikola, for your opinion about this. Yeah, I think this is good, maybe good solution, of course, Spanish is very bad in this song. Sorry for this.
midriss good job Mohammed let me tell you something because really maybe couple of days ago I have remembered to the midriss or arghul because I had the one midriss but it was like souvenir and this midriss was double of course arghul is also double but the problem is that on midriss there are how to say on both pipes there are holes so I've just talked on this musical instruments couple of days ago this is very great
Yeah, the one I have here has two holes. I was playing with one reed, because I was having problems with the other, but this has two holes, two reeds, just like your average. It's still new, so it still makes squeaky noises when you play. So it's a little problematic. Hand positioning also matters, because as you heard, because I'm playing quickly, this weird gurgling noise, as I call it. But if you have proper hand positioning, you would get something like that. I can't play a lot, because it's kind of late here. But... Yeah, this is also a double reed, double pipe, I mean, they're double holes, so each pipe has a set of holes. Mine is like a Syrian variant, so it has five holes on each pipe. The length and construction of it looks like a Greek tabbouna without the other bag part, because a Greek tabbouna would be... more like a bagpipe, but with the same construction as a midrash. So this is like a mix between the two, because, you know, they're very similar in characteristics. This one sounds more like a midrash, but the materials it's made of are the same as how tabbounas are made. And it sounds interesting. It still needs more play in it. It still needs more play in it. It still needs more play in it. It's interesting, so that the two reeds can kind of pair together and sound more identical. I got it three days ago, so that's why I prefer to play on one reed in the post, so that I don't encounter tuning problems in the middle of playing, and yeah.
Субтитры создавал DimaTorzok
Thank you.
I'll see you next time.
Okay, let's see. My microphone is not so good, but I don't do musical production. And since I don't do it, I thought I would show you two traditional instruments of the Serbs, but they are to be found also among the surrounding peoples, at least some of them in some areas. They are a svirala or frula and dvojnice, which is a double svirala. Svirala is similar to the Irish tin whistle, but made of wood instead of, well, tin. And this is how it is supposed to sound. And this is how it is supposed to sound. I don't know how long these messages last, so I'm going to turn it here.
As for dvojnice or double svirola, this is how they are supposed to sound. This is how they sound. This is how they sound.
of course both of these instruments can play in higher registers and I don't know if that will be recorded properly on this microphone but let's see here we go
uh yes hello everyone um uh in response to nicola's um posts the svirala i think you call it in serbian i'm not sure um yes it's really similar to the floyera which is a greek instrument um it's it's yeah it's the same thing kind of like a tin whistle um i have a floyera here somewhere but i cannot play right now because it's still like 6 a.m i think 5 50 something and as for the dvojnice i've actually tried uh getting my hand on my hands on um dvojnice after the midwas which i recently posted um about uh i was looking for equivalents or instruments that have a similar construction to it i found the dplay i think this is also in that area somewhere i think bosnia croatia those places they have this thing the dplay um which sounds really similar to the midwas except it's a bit more higher pitched and as i was talking to this about as i was talking about this to one of my friends he was talking about he was telling me about the dvojnice so i thought i would try to find or get my hands on one of those instruments tried playing it it sounds a bit different it feels a little bit different but it's a little bit different i think it's a little bit different to play it but i find these instruments quite interesting so yeah