If I can do this right, I would like you guys to hear something. I'm just going to completely change the atmosphere of things because of course a lot of it has been some awesome great music by Gangster and some others.
And definitely enjoy it all. But I want to show you guys something. I did not make this myself, unfortunately. I wish I did. But this is something that I would love to be able to accomplish in my own way.
This piece of music is written by...
One of the instrument, the VST instrument company composers. And it's a track that sounds...
It's very symphonic, very...
It sounds like a piece of music, you know.
You might hear in a RPG video game or a piece of music you would hear in action music with the whole orchestra with the percussion and horns and strings and stuff.
Anyway, this particular piece of music is written by this company.
And mind you, these instruments...
I mean, they're real to a point. They are...
Sampled. Everything is sampled.
But it's all being composed by a MIDI controller and a computer.
Whether they use Logic to create it or they use Reaper or something, I don't know.
But...
I love the way a lot of these instruments sound.
They have a lot of...
A lot of depth to them.
A lot of realism.
To the point where...
Crescendos can happen.
Where they...
Kind of barely... Like on a horn.
You know, they can barely blow on a horn.
Make the doctor turn.
And then you just keep blowing harder and harder to get the note to become louder and louder and louder.
That's part of what this music is.
It uses a lot of that.
It uses a lot of velocity code to...
If you play really soft on the keys, the snare might be really soft when you hit it.
If you play loud, the snare will be loud.
You know, it's a...
If you play hard, sorry, the snare will be louder.
It's an amazing track piece of music.
So hopefully, me doing this correctly will actually attach the file and it will work.
So...
I hope you guys enjoy it.
And sorry that it's not a piece of my own music.
But someday I hope to, again, do something similar to what I'm going to show you.
Altyazı M.K.
Saray yok beni her şey
Tekrardan tehdit ediyor
Tekrardan tehdit ediyor
Karşımdaki cansız şeylere
Borçluymuşum gibi hissediyorum
Duvar ile konuşuyorum
Hatta
Ne kadar inanmak istemesen de
Bunların hepsi doğru
Bunların hepsi doğru
Sana açıklamakta
Zorlanıp her şeyin hepsi evet
Tek tek doğru
Her şeyi sana bu şarkıda açıklamak istedim
Çünkü beni burada anlayacağından eminim
Sessiz anlatırsam
Her şeyi kendimde konuşmaya devam edersem
Hala sorunlar çıkıyor hatta
Katımda var ama burada anlatamam asla
Her şeyi burada anlatamam
Sende yüzde konuşmak isterdim ama
Olmaz
Olmaz bunlardan
Sadece
Olmaz
Olmaz bunlardan
Ne kadar düşüsüm de
Ne kadar istesim de
Unutamam seni unutamam
Ne kadar düşüsüm de
Ne kadar istesim de
Unutamam seni unutamam
Sadece o kadar
Biliyorum bunların hiçbiri sana inanılmaya gelmiyor
Ama yine de anlatmak istiyorum çünkü
Belki bunlar bir gün altına kazanır
Belki bir gün aklımdan çıkmam asla
Aklımdan çıkmam bazı insanların aklını düşünce olarak
Bir de kazanmak isterdim ben her zaman
Bir de kazanmak isterdim ben her zaman
Ne kadar bu bir hayal olsa da
Sana bir gün gerçekleşecek buna eminim
Buna eminim
Zorluğum yine her şey tekrar
Tehdit ediyor kalbimde küçük eşyalar var
Sen gibiyi seviyorum
Zengana düştüm ben
Değilim her zaman
Ama yerinde olmayı da istemezdim
Zengana düşürsem de
Ne kadar hissetsem de
Unutamam, unutamam seni asla
Zengana düşürsem de
Ne kadar hissetsem de
Unutamam seni asla
Unutamam seni asla
Zengana düşürsem de
Zengana düşürsem de
Ne kadar hissetsem de
Unutamam seni asla
Zengana düşürsem de
Zengana düşürsem de
Zengana düşürsem de
Zengana düşürsem de
Zengana düşürsem de
Zengana düşürsem de
Zengana düşürsem de
Zengana düşürsem de
I'm a music producer, also a game developer. Feel free to contact me.
Sing your songs with me, Graper on the track
Graper on the track
Graper on the track
Graper on the track
Graper on the track
Graper on the track
Graper on the track
I'm a music producer, also a game developer. Feel free to contact me.
C'est une histoire qui a pas lieu, parvue la belle langue des dieux, 1482, histoire d'amour et de désir.
Nous les artistes synonymes, de la sculpture de la rite, tant d'héros dévoulent la trance qui, pour les siècles, est venite.
Il est venu le temps des cathédrales, le monde est d'autres, dans un nouveau millénaire, l'homme a voulu motiver les étoiles.
Il a écrit son histoire dans le verre ou dans la pierre.
Bien après après, jour après jour, de siècle en siècle avec un mot, il avait se lévé le tour qu'il avait bâti de ses mains.
Le poète il y trouva dehors, au chaudet des chansons de mort, qui promettaient toujours aimant, demain et au lendemain.
Il est venu.
Tout le temps des cathédrales, le monde est d'autres, dans un nouveau millénaire, l'homme a voulu motiver les étoiles.
Il a écrit son histoire dans le verre ou dans la pierre.
Zo heeft de wind je bergen verder ingefraagd in je woord.
Want er springt een berg in mijn heer, en daar kan ik maar toe.
Als je de wind je bergen verder ingefraagd in je woord.
Want er springt een berg in mijn heer, en daar kan ik maar toe.
Zet, ik wil geriet, geriet, mijn zesdaag.
Zet, ik wil geriet, mijn zesdaag.
Mijn zesdaag, mijn zesdaag.
MUZIEK
ZINGEN
MUZIEK
MUZIEK
MUZIEK
MUZIEK
MUZIEK
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I'm a music producer, also a game developer. Feel free to contact me.
Manchus, the king of the track
of Venetian
The Basilica, divided into two sections,
is a tourunnatique of the European
Fuels atuchi.
gaps 1984–1952
Lantios, the king of the track
Lantios, the king of the track
Lantios, the king of the track
